In other words, Ferlinghetti should need no introduction. That he still might, to the vast majority of Americans who rarely, if ever, read poetry, is part of the lamentable background to his latest book. It has been argued that the current decade is the 1950s all over again, but worse. And for Ferlinghetti, poetry's "use" extends far beyond the personal into the political. "Poetry can save the world by transforming consciousness," he argues in "Poetry as Insurgent Art," a slim hardback pocketbook manifesto of prose epigrams, seemingly addressed to poets and those who might be.
"I am signaling you through the flames," he begins in the new section from which his book takes its title. "The state of the world calls out for poetry to save it." Poetry, in this vision, must be a political statement, arrows slung for freedom of expression, thought and resistance. "Write living newspapers," he counsels. "Your poems must be more than want ads for broken hearts" - in other words, to paraphrase Bertolt Brecht, to write mere "love poetry" in such times is "almost a crime." So "challenge capitalism masquerading as democracy"; "Liberate have-nots and enrage despots"; "Don't cater to the Middle Mind of America nor to consumer society." And so on, in variations of his admonition to "be committed to something outside yourself."
Follow the link below to read the original article in its entirety:
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/12/30/RVLRU031F.DTL
Wednesday, January 2, 2008
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